摘要
读《闲情偶寄》种植部,会发现李渔爱花木至情至性,以自己独特的观察角度与审美眼光,借草木以人喻,为花木“正名验身”:一是对花或命名、或易名、或赞名、或贬名;二是为花引经据典,或为花题诗;三是为花或批前人之说,或独抒己见,或为之翻案。这些命名、题诗、批评在实证的基础上沿袭和突破了传统的文人风雅,体现了李渔对花木世界的深层观照,宣告了自己审美价值倾向。
Li Yu loves flowers and trees to his affection.He depends on his own unique perspective and aesthetic vision to use plants and trees as human metaphors to“name flowers and trees”.Firstly,he named flowers,changed their names,praised them,or degraded them.Secondly,he quoted the classics for flowers,or wrote poems fot them.Thirdly,he criticized the predecessors,or expressed his opinions,or reversed the case.The naming,poems,and criticisms inherited and broke through the traditional literati elegance on the basis of empirical evidence,reflecting Li Yu′s deep observation of the flower and tree world,and proclaiming his own aesthetic value.
作者
祝一勇
ZHU Yi-yong(Hubei Vocational College of Technology,Xiaogan 432000 China)
出处
《新余学院学报》
2020年第5期83-86,共4页
Journal of Xinyu University
关键词
李渔
《闲情偶寄》
命名
题诗
翻案
Li Yu
“Xian Qing Ou Ji”(meaning casual expressions of idle feeling)
naming
writing poem
reverse the case
