摘要
作为享誉英国剧坛半个世纪之久的顶尖剧作家,卡瑞尔·丘吉尔在近年的戏剧创作中,通过对死亡、瘟疫、饥荒、抑郁等主题的艺术展示,试图揭穿人类中心主义的乌托邦幻象,并以去乌托邦的方式寻求建立真正意义上的理想世界。本文以去乌托邦为分析视角,从丘吉尔近年悲剧性剧作中媒介的渗透性、精神的荒原化、死亡的宿命性等三个层面探讨她对人类命运共同体的深度思考。她近年来的戏剧创作既代表着她晚年的艺术与哲学思辨,也反映了她身为公共知识分子对人类共同命运的预言、警示与期待。
One of the leading British playwrights,for nearly half a century Caryl Churchill’s recent plays tend to unveil anthropocentric utopian illusions through dramatic displays of death,plague,famine,depression and other predicaments of survival,establishing an imagined ideal world through her dystopian style.This article discusses Churchill’s probe into an intimate community of shared destiny from three aspects:medial penetration,a spiritual wasteland,and a deathly fatalism.Her dramatic creation in recent years not only represents her artistic and philosophical thinking,but also reflects this public intellectual’s dialectic vision of the human community.
作者
莫詹坤
Mo Zhankun(School of Foreign Languages,Nanjing University of Finance and Economics,Nanjing 210046,China)
出处
《当代外国文学》
CSSCI
北大核心
2020年第3期29-36,共8页
Contemporary Foreign Literature
基金
2019年度江苏省社科应用精品工程外语类课题“卡瑞尔·丘吉尔对东方哲学的追寻”(19SWC-010)的阶段性成果。
