摘要
1933年5月丁玲的被捕引发了多方猜测。在谣言与反谣言的舆论拉锯战中,各类刊物建构了不同甚至完全相反的“丁玲”形象。沈从文与篷子的回忆文章则提供了相对私人化的“丁玲”解读模式。“丁玲之死”之所以受到关注,与丁玲女作家的身份关系紧密。20世纪30年代女作家面临着明星—作者—小说人物三位一体的身份困境,作为想象30年代女作家的关键词,女性、革命、写作,既是媒介负载的信息,又成为淹没女作家的媒介本身。
Ding Ling's arrest in May 1933 sparked speculation.In the tug of war between rumors and anti-rumors,various publications constructed different even completely opposite images of“Ding Ling”.The memoir articles of Shen Congwen and Pengzi provided a relatively private interpretation of“Ding Ling”.The reason why“Ding Ling's death”received attention was closely related to Ding Ling's identity as a female writer.In the 1930s,female writers faced with the identity dilemma of the star-author-character trinity.As the keywords for imagining female writers in the 1930s,women,revolution,and writing were both media-loaded information and the medium itself that flooded the female writers.
作者
牛菡
NIU Han(Center of Chinese New Literature Research,Nanjing University,Nanjing 210023,China)
出处
《北京社会科学》
CSSCI
北大核心
2020年第11期35-47,共13页
Social Sciences of Beijing
关键词
“丁玲之死”
谣言
女作家
《记丁玲女士》
Ding ling's“death”
the rumor
female writers
Shen Congwen's Notes on Ding Ling
