摘要
安娜·特蕾莎·德·姬尔美可是极简主义舞蹈的代表人物,1984年她创立了罗莎舞团。《相位》《罗莎舞罗莎》《雨》是姬尔美可极简主义风格编舞的代表作。从这三部作品出发,来探究舞蹈戏剧构作和姬尔美可编舞方法的关系;从文化背景研究的视角,以追溯极简主义风格舞蹈的源流,并由此关注安娜·特蕾莎·德·姬尔美可创作的四个方面:编舞方法、戏剧构作、舞台呈现、思想源流。
Anne Teresa De Keersmaeker is a representative of minimalist dance.In 1984,she founded Rosa Dance Company."Fase","Rosas danst Rosas",and"Rain"are the representative works of Keersmaeker’s minimalist repertoires.From these three works,this paper explores the relationship between dance dramaturgy and Keersmaeker’s choreographic method,and traces the origin of minimalist dance from the perspective of cultural background research.Then,the paper pays attention to four aspects of Anne Teresa De Keersmaeker’s artistic creation:choreography,dramaturgy,stage presentation and ideological origin.
作者
徐婉茹
XU Wan-ru(Department of Dramatic Literature,The Central Academy of Drama,Beijing 100710,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第3期86-93,共8页
Journal of Beijing Dance Academy
