摘要
香港“80后”作为一种文化现象,反映了当下香港青年的后物质主义价值观转向。在扬弃物质主义、转向后物质主义的文化潮流中,香港“80后”导演的电影作品也出现了值得关注的审美转型:一方面,忧郁的情感基调冒起,呼应了对物质主义主流价值观的反思;另一方面,理想主义的乌托邦书写增多,体现了后物质主义新兴价值观引导下萌生的另类想象。可以说,香港“80后”的文化转向不仅激化了近年香港电影的内容更新,也触发了其在情感结构和审美趣味上的范式转型。同时,对香港“80后”现象的探究,启迪我们开放一种平行研究视野,观照后物质主义转向在“80后”青年身上的适切性,进而挖掘“80后”这一时间维度概念在空间维度上的文化意义。
Hong Kong“post-80's generation”,as a significant cultural phenomenon in recent years,reflects Hong Kong young people's transformation in values from materialism to post-materialism.Under this background,Hong Kong films created by post-80's directors have displayed some new aesthetic characteristics.On the one hand,the appearance of depressive tone in Hong Kong films responds to the rethinking of materialism in society;on the other,the film trend of idealism reflects the public pursuing of post-materialism.Therefore,the cultural value transformation of Hong Kong post-80's generation not only motivates changes of Hong Kong cinema in terms of content,but also stimulates its development in aesthetic aspect.Through analyzing the phenomenon of Hong Kong“post-80's generation”,it also expects to provide an open academic perspective to youth research not only in Hong Kong but also in Taiwan and China's Mainland,and thus revaluates the cultural significance of“post-80's generation”from trans-regional aspect.
出处
《文化研究》
2020年第1期20-36,共17页
Cultural Studies
基金
2018年国家社科基金青年项目“回归后香港电影的国家认同研究”(18CZW043)的阶段性成果。
关键词
“80后
”
后物质主义
香港电影
理想主义
post-80's generation
post-materialism
Hong Kong cinema depression
idealism
