摘要
李白《梦游天姥吟留别》诗之主题和脉理多有歧争,主题上对游仙诗的隐逸求仙思想过于肯定,从而否定了李白对于仕途之渴望,把诗中梦境的描写完全当作对自由理想的浪漫追求。这种解读的产生是囿于儒、道二元对立的阐释立场。实际上,在唐代文人士大夫的精神世界中,儒是共同的精神底色,即儒家传统入世之愿,修齐治平的理想。唐代文人虽在释、道之间出入,却不妨害他们内心对儒家礼乐美学治道的向往,无论外儒内道,抑或外儒内佛,并非截然二元对立。儒家传统礼乐文化、美学思想潜藏在唐代文人精神深处,在仕与隐之间抉择体现了唐代文人的精神变奏。
There are many arguments on the theme and orderliness about Li Po's Poetry Tianmu Mountain Ascended in a Dream.We should have not to agree with that this poetry’theme is just about seeking Tao&Immortals,which to deny that Li Po yearn for becoming the member of bureaucrat system.So that we regard as the dream of poetry is that seeking freedom and romance.This kind of interpretation is confined to the interpretation of Confucianism and Taoism binary opposition.In fact,in the spiritual world of literati and literati in tang Dynasty,Confucianism was the common spiritual background,namely,the wish of entering the world of Confucian tradition,and the ideal of maintaining peace and harmony.Although the literati in Tang Dynasty came and went between Buddhism and Taoism,it did not affect their inner yearning for Confucian rites and music aesthetics to govern Taoism.No matter the Confucianism outside and Confucianism inside,or the Confucianism outside and Buddhism inside were not completely binary opposition.The traditional Confucian rites and music culture and aesthetic thoughts lurk in the deep spirit of the literati in tang Dynasty,which is the spiritual background of their literary creation.The choice between official and hidden reflects the spiritual variation of the literati in Tang Dynasty.
作者
李忠超
Li Zhongchao(Zhejiang Normal University)
出处
《写作》
2020年第5期121-128,共8页
Writing
关键词
李白
梦游天姥吟留别
游仙诗
唐代文人
礼乐文化
Li Po
Tianmu Mountain Ascended in a Dream
Poetry about Immortals
Literati in the Tang Dynasty
Ritual and Music Cultural.
