摘要
虚拟景观是一种沉浸式体验景观,主要是指利用VR、AR等高科技展现图像,让人在当前的目标情境(由设计者营造)下感到愉悦和满足,而忘记真实世界情境的体验。当女娲补天神话以这种方式呈现时,便具有了故事实体化、内容拼合化、体验者角色化等传统神话不具备的特点。在虚拟景观中,神话完全以图像形式展出,神话资源的转化方式主要包括三个方面,即图像-图像的人物形象转化、文本-图像-新文本的图像叙事转化、单一-多重的图像功能转化。这三个方面都是传衍历史并结合现代需求而重塑的,其中的精神核心一直是被重点挖掘的对象,也是创造性转化成功之所在。
Virtual landscape is an immersive experience landscape,which mainly refers to the use of VR,AR and other high-tech display images,so that people feel happy and satisfied in the current target situation(created by the designer),and forget the experience of the real world situation.When the myth of The Goddess Mending the Sky is presented in this way,it has the characteristics that traditional myths do not have,such as materialization of stories,splice of content,characterization of experiencers.In the virtual landscape,the myth is completely displayed in the form of images.The transformation of mythological resources mainly includes three aspects,namely,image-image character image conversion,text-image-new text image narrative conversion,and single-multiple image function conversion.These three aspects are remolded by transmitting the history and combining with modern needs,and the spiritual core has always been the object to be explored,which is also where the success of creative transformation lies.
作者
孙伟伟
Sun Weiwei(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875)
出处
《长江大学学报（社会科学版）》
2020年第5期8-16,共9页
Journal of Yangtze University（Social Sciences Edition）
基金
国家社会科学基金重大项目“中国神话资源的创造性转化与当代神话学的体系建构”(18ZDA268)。
关键词
虚拟景观
女娲补天
神话资源
图像
转化
virtual landscape
The Goddess Mending the Sky
mythological resources
image
transformation
