摘要
当代西方城市景观雕塑正在经历一个复杂多变的发展进程,技术文明和艺术思想的融合使景观雕塑的形式变得多元化,导致美学经典不复存在。在这样一个时代背景下,设计者与受众者是如何感知时代、感知生活?二者在景观的诉求和体验又是如何契合的?本文以知觉审美体验的客观过程为出发点,采用认知图式的研究方法,将受众者的审美心理、意象思维进行衍生,对观者、作者、作品的世界进行分析解读。
Contemporary western urban landscape sculpture is undergoing a complicated and volatile progress.The integration of technical civilization and artistic ideas has diversifies the forms of landscape sculpture,leading to absence of aesthetic classics.In such an era,how do designers a nd audiences p erceive the era?How do t hey p erceive the l ife?How do t hey make coincidence on appeal a nd experience regarding to the landscape?This paper takes objective process of aesthetic experience as the starting point,employs cognitive schema as the research method,analyzes and interprets the audiences’aesthetic psychology and imagery thinking from aspects of the viewers,sculptors,and the works.
作者
高山
刘松茯
Gao Shan;Liu Songfu(School of Architecture,Harbin Institute of Technology,Heilongjiang Cold Climate Architectural Science Key Laboratory,Harbin Heilongjiang 150006,China)
出处
《城市建筑》
2020年第19期187-190,共4页
Urbanism and Architecture
关键词
城市景观雕塑
审美体验
认知图式
urban landscape sculpture
aesthetic experience
cognitive schema
