摘要
在过去的60年中,哈罗德·布鲁姆先后与新批评、解构主义批评、文化研究等批评流派争吵,"论战"成为其学术人生的缩影。同时,"对抗"和"竞争"成为其"影响诗学"的核心观念,为他的"误读"提供了具体的批评方法。与其说他的理论和方法是法国解构哲学的产物,不如说是犹太人文化传统和"求异"思维的结果。哈罗德·布鲁姆的"犹太性"文学批评为理解传统文化在当代文学理论革新中的作用提供了一个很好的案例。
In the past 60 years, Harold Bloom has quarreled with new criticism, deconstructive criticism, cultural studies and other critical schools, and "controversy" has become the epitome of his academic life. At the same time, "antithesis" and "agon" become the core concepts of his "poetics of influence" and provide a paradigm for his misreading. His poetics of influence and methodology are not so much the product of French Deconstructive philosophy as the fruit of Jewish cultural tradition and Jewish thinking pattern of particularism. Harold Bloom’s "Jewish" literary criticism is a good case for us to understand the role of traditional culture in the innovation of contemporary literary theory.
出处
《复旦外国语言文学论丛》
2020年第1期101-105,共5页
Fudan Forum on Foreign Languages and Literature
基金
山东省社科基金外国语言文学研究专项“当代美国文论中的犹太传统资源研究”(19CWZJ41)的阶段性研究成果。
