摘要
茅原先生对音乐美学领域的学术贡献,一是引领上世纪90年代音乐美学界对“音乐存在”问题的关注,并提出“音乐存在于客观的精神文化传统之中”的重要理论;二是引介西方理论构建中国音乐“历史、逻辑与工艺学三维结合”的研究原则;三是融贯中西地提出并推进音乐美学重要概念的探讨,提出自下而上与自上而下相结合的音乐审美路径。先生理论鞭辟入里,对中国音乐美学的学科发展具有启示意义。
Mr.MAO Yuan made three academic contributions to music aesthetics.First,he lead the attention of“The Being of Music”in 1990s,suggesting“music exists in the objective spiritual and cultural tradition”which soon became a very important theory.He also brought in western theories when constructing the principle of Chinese music:the combination of history,logic and technology.Finally,he promoted the discussion of music aesthetics by infusing Chinese and Western culture,proposing a combination of both bottomup and top-down paths in music aesthetics.His theory is insightful and enlightening to the development of Chinese music aesthetics.
出处
《黄钟（武汉音乐学院学报）》
北大核心
2020年第2期148-155,168,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
茅原
音乐美学
学术贡献
Mr.MAO Yuan
Music Aesthetics
Academic Contribution
