摘要
在自1949年以来的台湾电影发展历程中,无论是"健康写实主义"电影时期,抑或"新电影""新新电影"及当下的台湾电影创作时期,父权意识一直是台湾电影创作中较为关注的重要内容。在不同代际的台湾电影作品中,对父权文化的价值判断和展现形式也有一个较为明晰的变化过程。从多个理论维度对台湾电影不同阶段中的父权文化符码进行深入挖掘,或可对台湾电影产业及电影美学等方面的父权文化发展脉络做出较为清晰的梳理和阐发。
In the development of Taiwan’s film since 1949,whether it is the period of"healthy realism",or the period of"new film","new new film"and Contemporary Taiwan film creation,patriarchal consciousness has always been an important part of Taiwan film creation.In the works of different generations in Taiwan,the value judgment and manifestation of patriarchal culture also have a relatively clear change process.This paper explores the codes of patriarchal culture in different stages of Taiwan’s film industry and aesthetics from multiple theoretical dimensions,or it can clearly sort out and explain the development of patriarchal culture in Taiwan’s film industry and film aesthetics.
出处
《电影艺术》
CSSCI
北大核心
2020年第5期137-142,共6页
Film Art
关键词
台湾电影
父权文化
国族意识
现代性
类型化
Taiwan film
patriarchal culture
national consciousness
modernity
typification
