摘要
自19世纪90年代电影出现以来,以影视为主体的影像活动成为人们自我认知和认知世界的主要文化形式之一,而围绕影像活动所形成的各种影像认识论不断丰富着人们的认识论,但基于电子科技发展的新影像活动正在形成世界的影像化和影像的世界化,人们与世界之间的关系越来越需要通过影像中介来实现。世界化的新影像活动改变的不仅是传统影像与人们的关系,也改变了包括影像认识论在内的人类认识方式,挑战了以人为中心的人类学认识论,正在形成人机共存的认识论。
Since the birth of films in the 1890 s,film and television as the main form of image activities has become one of the main cultural forms of human cognition of themselves and the world.Various image epistemology formed around the image activity has continuously enriched people’s epistemology.The new image activities based on the development of electronic technology are facilitating the visualization of the world and the worldlization of the images.The relationship between human and the world relies more and more on the medium of images to realize.The very existence of human beings is being visualized.The worldlized new image activities change not only the relationship between traditional images and human,but also people’s ways of understanding including their image epistemology.It challenges the human-centered anthropology epistemology,and forms an epistemology of co-existence between human and machines.
作者
张建珍
吴海清
Zhang Jianzhen;Wu Haiqing
出处
《电影艺术》
CSSCI
北大核心
2020年第5期19-26,共8页
Film Art
关键词
新影像
人类学中心认识论
人机共存认识论
绝对他者
new image
anthropology-centered epistemology
epistemology of co-existence between human and machines
the absolute other
