摘要
对媒介融合语境下文学命运的思考,离不开媒介这一聚焦点。首先,纸媒文学的衰落趋势明显,这与印刷媒介在激烈的媒介竞争中不得不把话语权让渡给新媒体大有关系,但这并不意味着文学的终结。其次,普通读者获得了更多的文学评判权,其审美趣味得到了专业读者的尊重,对于重新审视文学经典和认知作家作品具有重要意义。最后,文学的媒介属性得到凸显,“媒介文学”得到正名,同时倒逼人们对文学本质问题展开更多有意义的思考。
Thinking about the fate of literature in the context of media convergence is inseparable from the focus of media. First of all, the decline trend of paper media literature is obvious while this does not mean the end of literature, which is related with the fact that the printing media has to transfer the discourse power to new medias in the fierce media competition. Secondly, public readers have more rights to judge literature, and their aesthetic taste is respected by professional readers, which is benefit for re-examining literary classics and criticizing literary creation. Finally, the media attribute of literature has been highlighted and the name of "media literature" has been justified. At the same time, people are forced to think more about the nature of literature.
出处
《江西社会科学》
CSSCI
北大核心
2020年第8期73-80,255,共9页
Jiangxi Social Sciences
基金
国家社会科学基金一般项目“晚清以来中国儿童文学理论资料的收集整理与研究”(18BZW143)。
