摘要
改革开放以来四十年的戏曲史书写,走过了从重写到重构的历程。首先,四十年来已出版的戏曲通史,无论从数量与质量、形式与内容等方面来看,都充分体现了思想观念大解放,学术多元化的时代背景与鲜明特色,成为这一时期的学术制高点;其次,戏曲断代史的书写,尽管数量略少,但学术含金量却绝不逊色,呈现出学术精品叠出的特点;第三,与戏曲通史和戏曲断代史的成就及特色相比,戏曲专门史的研究可谓异军突起,成果斐然。戏曲专门史的大量出现,正是四十年来戏曲研究不断细化、实化、深化的结果,并从某种意义上重构了戏曲史研究多元化的新格局。四十年来的戏曲史书写取得了丰硕的成果,成就不容低估。然而,无庸讳言,问题的存在也是客观事实。未来戏曲研究的趋势,或许仍然会沿着多元化的格局继续拓展并深化。戏曲本体研究应是重点所在;空间维度的介入,或者说系年与系地的融合,或将成为戏曲史书写模式的另一种选择。
The writing of history of Chinese Xiqu has proceeded from rewriting to reconstruction in the 40 years of reform and opening-up. First of all,the published books on comprehensive Xiqu history in the past 40 years all fully embody the characteristics of the time of ideological emancipation and academic diversity,whether viewed from their quantity or quality,form or content,becoming the peak of academic research on theatre history in this period. Secondly,in spite of a limited number,many works on dynastic history of Xiqu prove to be academic research of high quality. Thirdly,different from the writing of comprehensive history or dynastic history,the special history study on Chinese Xiqu flourishes unexpectedly with remarkable achievements and distinctive features,which is the consequence of specialized studies,and in a sense brings about the diversification of Chinese Xiqu history study. Nevertheless,the great achievements cannot eclipse the problems. The future theatre studies may be increasingly diversified,with Xiqu ontology study being the key research subject,and the research from space dimension or that of spatio-temporal integration being alternatives of Xiqu history writing.
作者
朱伟明
喻小晶
ZHU Weiming;YU Xiaojing
出处
《戏剧艺术》
CSSCI
北大核心
2020年第4期74-76,77-85,共12页
Theatre Arts
基金
国家社科基金艺术学重大项目“新中国成立七十周年中国戏曲史(湖北卷)”(19ZD07)的阶段性成果。
关键词
改革开放
四十年
戏曲史
重写
重构
reform and opening-up
40 years
Xiqu history
rewriting
reconstruction
