摘要
素有"泉南佛国"之称的泉州,是东南亚文化之都,是海上丝绸之路的起点,与此同时位于泉州的开元寺不仅是我国重要的文物古迹,还是福建省最闻名规模最大的佛教寺院,开元寺也是在历史长河中遗留下的宝贵文化遗产,其中大雄宝殿和甘露戒坛斗拱上的妙音鸟与飞天乐伎是艺术、建筑、宗教与多元文化的结合。本文通过泉州的地域文化对妙音鸟产生的具体背景、历史渊源、表现方式、妙音鸟与飞天乐伎的异同等方面进行深入研究,并对多元文化与开元寺在艺术上的碰撞与融合的具体表现加以广度和深度上的阐述。
Quanzhou,known as"the Buddhist country in south of Quanzhou",is the cultural capital of Southeast Asia and the starting point of the maritime Silk Road.At the same time,Kaiyuan Temple,located in Quanzhou,is not only an important cultural relic in China,but also the most famous and largest Buddhist temple in Fujian Province.Kaiyuan Temple is also a precious cultural heritage left over in the long history,including the wonderful voice on the Dougong of Daxiong hall and Ganlu altar Bird and flying music are the combination of art,architecture,religion and multi culture.Through the regional culture of Quanzhou,this paper makes an in-depth study on the specific background,historical origin,expression mode,similarities and differences between miaoyingniao and feitianyueji,and expounds the specific expression of the collision and integration of multi culture and Kaiyuan Temple in terms of art in breadth and depth.
出处
《中外建筑》
2020年第8期58-59,共2页
Chinese & Overseas Architecture
关键词
泉州开元寺
多元文化
文化遗产
妙音鸟
飞天乐伎
Kaiyuan Temple Quanzhou
multi culture
cultural heritage
miaoyingniao
feitianyueji
