摘要
20世纪90年代之前的中日电影交互,均以日方为主导。而至90年代,中国电影在日本的传播状况发生了逆转。文章全面梳理了90年代中国艺术电影在日传播的基本状况与特点,并在史实的基础上,对产生这一传播效应的主导性因素进行探析:分众市场的成熟为中国艺术电影提供了多元化的传播契机;诸多乡村题材的中国艺术电影与这一时期的日本电影重现了“东亚农业文明圈”的共情效应;日本受众在这些“诗骚”传统得以复苏的中国艺术电影中觅得了“物哀”式的深层审美共振。
Before the 1990 s,the interaction between Chinese and Japanese movies was dominated by Japan. During the 1990 s,however,the situation of the spread of Chinese movies in Japan was taking a turn for the better. This article gives a comprehensive survey of the basic situation and the essential characteristics of the spread of Chinese artistic movies in Japan in the 1990 s,and it also gives an in-depth analysis of the major factors that brought about this spread effect: the maturity of the mass market provided a diversified opportunity for the spread of Chinese artistic movies;many Chinese artistic movies,together with the Japanese movies produced in the same period,reproduced an empathy effect of the "East Asian agricultural civilization circle". Japanese audience found a deeper aesthetic resonance of "mourning for things"in those Chinese artistic movies,in which the tradition of "poetic Sao"had been revived.
作者
潘汝
PAN Ru(School of Literature,Communication University of Zhejiang,Hangzhou,Zhejiang 310018)
出处
《艺术百家》
CSSCI
北大核心
2020年第3期150-155,共6页
Hundred Schools In Arts
基金
2018年度国家社科基金艺术学项目“20世纪中外电影比较史研究”(项目编号:18BC040)阶段性成果之一。
关键词
中国艺术电影
日本
传播效应
Chinese Artistic Movies
Japan
Spread Effect
