摘要
在知识和艺术都发生重大变革的文艺复兴时期,达·芬奇根据自己的艺术实践提出了一系列影响深远的艺术理论和美学观点。在笔记手稿中,他多次对艺术与自然的关系进行探讨,这不仅突破了中世纪神学框架下的艺术理论,重新发扬了古典时期艺术模仿自然的理论,更将艺术提升至科学和哲学的高度,提出艺术改进完善自然以及艺术对自然进行审美超越多层内涵,这对文艺复兴时期以及之后的艺术创作和理论发展产生了深远影响。
During the Renaissance when knowledge and art had changed significantly,Leonardo da Vinci brought forward a series of profound artistic and aesthetic theories.In his notebook,he explored the relationship between art and nature,which broke through the theologically framed art theory in the Middle Ages,inherited the theory of art as imitation of nature in the classical age,and also promoted art as science and philosophy.He further proposed that art not only improved,but also surpassed nature.His theory on art and nature had important impact on the artistic creation and theoretical development in the Renaissance and thereafter.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第5期187-193,F0003,共8页
Journal of Tsinghua University(Philosophy and Social Sciences)
