摘要
《暂坐》描写都市女性群体斑斓的日常生活,有对女性问题思考的新向度,女性的自强自立,尤其“经济独立”,并不意味着女性真正“解放”,男性化的社会、文化结构、是女性难以突破的重围。小说所述的女子群体之“成功”与富足的生活背后,依然膺服于男性所代表的权力之掌控;爱情、婚姻的残破也缘于深层男性文化结构之规约。同时,小说亦内蕴着对人生的沉思与关怀,“暂坐”乃是一种人生短暂与莫测之困厄处境的隐喻。在叙述视角、结构、语言上,小说也为城市书写提供了一种新的审美可能性。
“Zan Zuo”describes the colorful daily life of urban women groups.It has a new dimension of thinking about women’s issues.Women’s self-reliance,especially“economic independence”,does not mean that women are really“liberated”.The masculine social and cultural structure is a difficult area for women to break through.Behind the“success”and rich life of the female group described in the novel,they are still subject to the control of power represented by men;the destruction of love and marriage is also due to the stipulation of deep male cultural structure.At the same time,the novel also contains the contemplation and concern for life,and“Zan Zuo”is a metaphor of the short and unpredictable predicament of life.In terms of narration,structure and language,the novel also provides a new aesthetic possibility for the urban writing.
作者
雷鸣
LEI Ming(Faculty of Liberal Arts,Northwest University,Xi’an 710127, China)
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第5期14-20,共7页
Journal of Northwest University：Philosophy and Social Sciences Edition
基金
国家社会科学基金重大项目:百年乡土小说与乡村文化变迁的关系、启示研究及文献整理(19ZDA273)的阶段性成果。
