摘要
陕西、甘肃、山西、河北、辽宁、河南、湖北、湖南等地隋唐墓葬陪葬俑中发现一些穿衣袒胸露腹的胡人俑,按照姿态分为站姿俑和骑姿俑,按照身体暴露程度分为穿衣袒胸露腹型和袒露右臂与腹部型;按照服饰分为胡帽翻领胡服型、翻领胡服露发型、圆领袍服胡帽型或露发或幞头型。他们身份多样,包括伎乐、牵夫、猎手、骑驼(马)侍从等。从文化渊源上看,既有中国古代礼制文化和墓葬传统,也有希腊罗马因素和佛教影响,反映了北朝至隋唐时期"胡人遥集,夷歌成章"的胡汉交融盛景。
Partly-naked barbarian figurines have been unearthed from burials of the Sui and Tang dynasties in Shaanxi,Gansu,Shanxi,Hebei,Liaoning,Henan,Hubei and Hunan.Their postures include standing and riding.Some of them are half naked,some expose the right arm and belly.Their costumes are diverse.They play different social roles,including musicians,hunters,servants and so on.The cultural features reflected in the figurines consist of Chinese traditional ritual and mortuary elements,as well as Greek,Roman and Buddhism influences.They reflect the frequent interactions among people of different ethnic backgrounds from the Northern dynasties to the Tang dynasty.
作者
杨瑾
乔静瑶
Yang Jin;Qiao Jingyao
出处
《中原文物》
北大核心
2020年第4期121-129,共9页
Cultural Relics of Central China
基金
国家社科基金一般项目“隋代墓葬外来文化元素与中西文化交融研究(19BKG029)”阶段性成果。
关键词
隋唐墓葬
袒腹胡人俑
胡汉交融
Sui-and-Tang-dynasties burial
Hu(non-Chinese)people with belly uncovered
integration of Han people and barbarian
