摘要
《随意敲门》从已逝时空、幻觉时空和未来时空等方面描写了小说人物心象演绎的多维景观,揭示了美国少数族裔的生存状态和精神困境。莫特利从亲情回忆、友情回忆和事件回忆三个方面来展示过去事件或物象在现实生活中的心象再现,从伪幻觉、思维化声和思维显影方面来表现幻觉心象的现实性呈现,从自由心象、求生心象和自尊心象等方面揭晓未来时空的心象展现。作者笔下的心象描写体现了文学作品空间智能的架构取向,也可视为作者在社会认知过程中的作用机制。
In Knock on Any Door,Willard Motley presents a wide diversity of mental images through past time and space,fantasy time and space,and future time and space,disclosing the crises and spiritual predicament of ethnic groups in America.Motley unveils the mental images in real life which are derived from the bygone events or stuffs,the fantasy images in reality coming from pseudohallucination,thought incarnation and visible thoughts,and the evolvement of future imagery by forming images of freedom,seeking to live on,and maintaining self-dignity.His depiction of mental images embodies the spatial wisdom reflected in the framework structuring of his work,thought of as his functional mechanism in the process of social cognition.
出处
《英语研究》
2020年第1期51-59,共9页
English Studies
基金
国家社会科学基金后期资助项目“非裔美国小说艺术探微”(19FWWB023)
广东外语外贸大学外国文学文化研究中心2018年度标志性成果培植课题“理查德·赖特叙事作品研究”(18BZCG02)的阶段性成果。
