摘要
"赛博格"生发于20世纪40年代控制论的土壤,至90年代,演变成乌托邦式的意识形态。而20世纪90年代以来的欧美经典"赛博格"科幻电影,以影像的方式批判因身体差异所导致的伦理秩序的失衡,传达主体自我在数据时代被解构所带来的迷惘情绪,揭示为控制论所定义的赛博空间的"专制"特征;进而对"身体"的进化与虚化、跨越差异性的新主体自我的重构、"民主"式乌托邦赛博空间展开想象,突破了人与非人、意识与模拟等二元对立的藩篱,表达了对新技术条件下人类生存状态的忧思与展望。
"Cyborg"originated from Cybernetics in the 1940 s and evolved into utopian ideology by the 1990 s.The European and American classic Cyborg science fiction films since 1990 s have used images to criticize the imbalance of the ethical order caused by physical differences,and convey the perplexed feelings brought by the deconstruction of the subject’s self in the data age,and reveal the"autocratic"characteristics of Cyberspace as defined by cybernetics.Furthermore,the imagination of the evolution and virtualization of the"body",the reconstruction of the subject self across the differences,and the"democratic"utopian cyberspace have broken through the barriers of binary opposition between human and non-human,consciousness and simulation,and expressing the concern and expectation of human existence under the condition of new technology.
作者
潘汝
PAN Ru(School of Literature,Communication University of Zhejiang,Hangzhou 310018,China)
出处
《上海交通大学学报（哲学社会科学版）》
CSSCI
北大核心
2020年第3期46-54,共9页
Journal of Shanghai Jiao tong University(Philosophy and Social Sciences)
基金
国家社科基金艺术学项目“20世纪中外电影比较史研究”(18BC040)。
关键词
电影
科幻电影
赛博格
films
science fiction films
Cyborg
