摘要
在中国传统社会中,人的既定关系是预先设定好的,所谓“兄弟怡怡”便是人们理想中的兄弟关系。然而,随着现代社会的主体性确立,传统社会的这种既有关系开始出现裂变,五四新文化运动中具有重要影响的鲁迅、周作人周氏兄弟便是其中的代表。传统社会所谓“兄弟怡怡”事实上是建立在“人”作为自我的主体性没有得到确认、个性意识没有觉醒的基础之上的。实际上,周氏兄弟失和不仅是五四新文化运动以来人的主体意识得以觉醒、个人从家庭这一地理空间的羁绊中走出并最终确立自我主体性的历史必然,而且是中国现代文学发展中带有某种普遍性文化现象。兄弟失和对周氏兄弟各自主体精神和主体情感世界的影响无疑是巨大的,这由此改变了他们两人的精神世界和情感世界,深刻地影响了他们文学世界的建构。
In traditional Chinese society, the established relationship between people is pre-set. The so-called “harmony of brotherhood” is the ideal relationship between brothers. However, with the establishment of subjectivity in the modern society, the interpersonal relationship of the traditional society began to undergo fission. Lu Xun and Zhou Zuoren, as prominent figures with significant influence in the May 4th New Cultural Movement, are the representatives of this fission. The so-called “harmony of brotherhood” in the traditional society is based on the fact that the “person” as the subjectivity of the self has not been confirmed, and the personality consciousness has not awakened. The Zhou Brothers disharmony was not only the historical inevitability of the awakening of human subjective consciousness since the May 4th New Cultural Movement, but also the universal cultural phenomenon in the development of modern Chinese literature. The effect of the two brothers disharmony on both the Zhou brothers spiritual and emotional worlds is undoubtedly massive. This has changed the mental and emotional worlds of the two and profoundly affected the construction of their literary world.
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2020年第5期130-140,194,共12页
Journal of Southwest University(Social Sciences Edition)
基金
国家社会科学基金项目“民国教育体制与中国现代文学研究”(10BZW104),项目负责人:李宗刚。
关键词
鲁迅
周作人
兄弟失和
家庭伦理
Lu Xun
Zhou Zuoren
brother’s disharmony
family ethics
