摘要
目的唐陵石刻艺术作为唐代雕刻技艺最完美的诠释,是唐文化最直接的载体,极具文化内涵和学术研究价值,其石刻纹样更是强化了石刻的审美视觉效果,在文化传承视角下将它传承和发扬光大是时代发展的必然选择。方法通过文献资料、网络资料和实地考察对唐陵文化进行深入分析,运用符号学原理,选用唐陵石刻艺术形式为设计载体,对其进行深入挖掘,提取设计纹样因子,并进行设计演化作为设计初始模型,然后以形状文法进行推敲,设计出极具现代审美和具有唐文化底蕴的新图形,最后应用于畅游唐陵APP界面设计案例中,验证其可行性。结论将唐陵石刻纹样艺术以一种新的设计形式展现给读者,让更多的人了解和认识石刻文化艺术,不仅可以提升现代设计的文化内涵,也有助于对传统文化的弘扬与创新。
As the perfect explanation of curving skills in the Tang Dynasty,the stone carving art of Tang Tombs is the most direct carrier of Tang culture,and has great cultural connotation and academic research value.The stone curving patterns intensify the aesthetic visual effect.It is an inevitable choice of era development to inherit and carry forward it from the perspective of cultural inheritance.In this paper,through literature,network data and on-the-spot investigation of Tang Tomb culture,the theory of semiotics was analyzed.The stone carving art form was selected as a carrier of design to explore it in-depth,extract design factor of pattern and have design evolution to form the initial model of design.Then,based on elaborating the shape grammar,new graphics with strong modern aesthetic and cultural deposits of the Tang Dynasty were designed and applied in the interface design of Touring Tang Tombs APP to verify its feasibility.Showing the stone carving art of Tang Tombs to the readers in a new design form and making more people know and understand the stone carving culture and art can not only improve the cultural connotation of modern design,but also contribute to the promotion and innovation of traditional culture.
作者
彭国华
刘凯雄
PENG Guo-hua;LIU Kai-xiong(Shaanxi University of Science and Technology,Xi’an 710021,China)
出处
《包装工程》
CAS
北大核心
2020年第16期285-293,297,共10页
Packaging Engineering
基金
2016年教育部人文社会科学研究一般项目《陕西关中唐陵文化遗产的数字动画保护与传播研究》阶段性研究成果(16YJCZH072)。
关键词
文化传承
关中唐陵
石刻纹样
设计因子
创新性再设计
cultural heritage
Tang Tombs in Guanzhong
stone carving pattern
design factor
innovative redesign
