摘要
松江人陆树声是明代嘉靖时期的礼部尚书。因其德高望重、世寿长久,他成为当时文人士夫阶层景仰的对象。在陆树声在世的时候,他的肖像就被描绘。现存最早的陆树声肖像是他九十岁生日时,叶时芳所画《陆树声北禅二人小像图轴》。之后,清初松江画家徐璋将这一形象描摹进《松江邦彦图册·陆树声肖像》中,并在晚清时期得以刻石。上海博物馆藏清代佚名《陆树声肖像页》,应该就是介于绘本与刻石之间的过渡本。本文以这些存世的陆树声肖像为研究对象,从面容、服饰、器物等多个角度,阐述它们之间的图像关系。从而加深对陆树声这样的名人肖像瞻仰功能的理解,并对清代佚名《陆树声肖像页》的性质进行鉴定与判断。
Lu Shusheng, a native of Songjiang, was Minister of Rites in the Jiajing period of Ming dynasty and was much admired by the literati class of his time for his high prestige and longevity. Lu’s portrait was painted while he was still alive. The earliest existing portrait of him, a hanging scroll showing Lu and his friend monk Beichan, was painted by Ye Shifang on Lu’s 90 th birthday. Later, the image of Lu was copied in Portrait of Lu Shusheng in the album Villagers of Songjiang by Xu Zhang, a painter from Songjiang in the early Qing dynasty. This image was carved on stone in the late Qing. The album leaf Portrait of Lu Shusheng in the Shanghai Museum, painted by an anonymous artist in the Qing dynasty, is probably a transition between painting and stone carving. The current author studies the existing portraits of Lu Shusheng and expounds the image relationships between them from the aspects of face, clothing, utensils, etc. so as to deepen understanding of the function of celebrity portrait. The nature of the album leaf Portrait of Lu Shusheng is identified as well.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2020年第6期65-72,共8页
Journal of National Museum of China
关键词
陆树声
肖像
复制
Lu Shusheng
portrait
copy
