摘要
浙江天台“一根藤”木作技艺是江南民间建筑装饰木作的典型代表。这项非物质文化遗产项目折射出和合文化、吉祥文化、地域文化的杂糅浸润下,晚明至清初江南民间造物技艺在“文人工匠观”影响下的多元审美走向。其作品蕴涵的“制器尚象,致用利人”与“合乎天道”羼杂互融的造物理念,对当下文化传承、手工艺振兴及设计创新的实践探索,提供了宝贵的素材和创意灵感。
"one vine"woodworking technique is a typical representative of decorative woodwork of folk architecture in Tiantai county in Zhejiang Province.It reflects the aesthetic trend of folk creation techniques under the influence of"literati's view of artisan"in the late Ming Dynasty under the in⁃filtration of harmony culture,auspicious culture and regional culture.The ideas of"making utensils with pictographic modeling and people-oriented function"and"conforming to nature"provide valuable materials and creative inspiration for the current practice and exploration of cultural heritage,handicraft revitalization and design innovation.
作者
杜敬卿
Du Jingqing(School of Art and Design,Taizhou University,Taizhou 318000,China)
出处
《台州学院学报》
2020年第4期88-92,共5页
Journal of Taizhou University
基金
2018年度教育部人文社会科学研究青年基金“‘云时代’非物质文化遗产数字化创新策略研究”(18YJC760011)
台州学院基金项目《基于数字媒体的台州非遗创新应用研究》(2017PY023)。
关键词
一根藤
榫卯
和合文化
审美
意蕴
"one vine"woodworking
mortise and tenon joint
culture of harmony
aesthetic
implication
