摘要
从1979年开始,海峡两岸与香港的"新电影"曾汇流成为蔚为壮观的中国电影"新浪潮"运动,其中大陆和台湾的"新电影"运动尤以对华语电影本体的深邃探索,为华语电影的发展作出了卓有成效的美学贡献。四十余年间,海峡两岸艺术电影既在历时性的纵向脉络上呈现出各自区域内导演代际递嬗的美学演化趋向,又在共时性的横向层面上彰显了两岸艺术电影创作互动、融汇的态势。在后"新浪潮"两岸艺术电影融合发展的历史格局中,大陆导演的作品曾清晰显现出台湾"新电影"的美学影响,同时中国台湾导演也曾从大陆"新电影"厚重的历史文化经验中汲取了重要的美学养分。后"新浪潮"时代两岸艺术电影的美学互融,必将促进一个更加绚丽、多元的大中华电影文化格局的构建。
Since 1979,the"New Film"on two sides of the Taiwan Straits and Hong Kong have converged into a spectacular"New Wave"movement of Chinese film.Among them,the"New Film"movements in the mainland and Taiwan have made fruitful aesthetic contributions to the development of Chinese-language Film by the particular in-depth exploration on Chinese Language Film Ontology.For more than forty years,the Art Films on both sides of the Taiwan Straits have shown the aesthetic evolution trend on the directors’inter-generational transition in both two regions within the diachronic vertical context,and have also demonstrated the tendency of art creation interaction and fusion on the horizontal level of synchronic context.Under the integrated development pattern and historical situation of Post-"New Wave",the works of mainland directors have clearly developed the aesthetic impact of Taiwan’s"New Film",at the same time,Taiwan Residents directors have learned important aesthetic nutrients from the rich historical and cultural experience of the mainland’s"New Film".There are reasons to believe that the aesthetic integration of Post-"New Wave"art films on both sides of the straits will surely promote the construction of a more splendid and diverse movie culture situation in Greater China.
作者
郭越
GUO Yue(School of Liberal Arts,Northwest University,Xian,Shanxi,710127)
出处
《艺术百家》
CSSCI
北大核心
2020年第2期164-169,共6页
Hundred Schools In Arts
基金
2014年度教育部人文社会科学研究西部和边疆地区项目“中国电影‘新浪潮’比较研究”(项目编号:14XJA760002)阶段性成果
2016年度陕西省社会科学基金项目“‘华莱坞’视域下‘新西部片’的类型发展策略研究”(项目编号:2016J034)阶段性成果之一
关键词
电影艺术
后“新浪潮”
海峡两岸
艺术电影
代际递嬗
美学融汇
Post-"New Wave"
The Two sides of the Taiwan straits
Art Movies
Intergenerational Evolution
Aesthetic Integration
