摘要
进入21世纪以来,普利策获奖剧作在观照当代现实生活的同时,文学经典的身影也不时闪现其中。但剧作家对于文学经典的处理既非简单意义上的重演,也非彻底的解构或颠覆,而是采用续写、植入、交响等另类的手段,将文学经典与原创剧本进行多重空间的整合,在调动观众文学记忆的同时,又为其注入当代的文化精神和剧作家本人的思考,让文学经典成为舞台上魅力无限的“最熟悉的陌生人”。本研究旨在为中国戏剧发展提供一种新的思路,让文学经典与当代戏剧在中国舞台上交相辉映。
In the 21st century,Pulitzer-winning plays present the contemporary life with elements of literary classics in them.However,instead of simple revival or complete subversion,playwrights employ such alternative approaches as sequelizing,implanting and symphonizing to integrate literary classics and original works in multiple levels,recalling the audience’s literary memories and incorporating the contemporary cultural spirit and playwrights’ideas.Thus,literary classics become the most familiar stranger on the stage.The present study aims to provide a new way for the development of Chinese theatre to help literary classics and contemporary drama enhance each other on the Chinese stage.
出处
《天津外国语大学学报》
2020年第4期64-73,159,160,共12页
Journal of Tianjin Foreign Studies University
基金
国家社会科学基金艺术学重大项目“当代欧美戏剧理论前沿问题研究”(18ZD06)。
关键词
普利策戏剧奖
美国戏剧
中国戏剧
Pulitzer Prize for Drama
American theatre
Chinese theatre
