摘要
《聊斋志异》具备了小说的艺术特征,其中"留白"作为一种极具创新性的叙事技巧,集中体现出蒲松龄结撰小说的自觉意识。《聊斋志异》中的留白,主要是通过运用限知视角实现的,即往往以小说中的某个人物为叙述视角来设置"空白",包括情节上、人物上和场景上的空白,它们共同促成了《聊斋》故事的趣味性与可读性,极大地提升了文言小说的艺术品质。
Pu Songling's Liaochai Zhiyi initially possesses the artistic characteristics of the novel.Among them,Leaving Blank as a very innovative narrative technique,embodies Pu Songling's consciousness of writing novels.The blankness in Liaochai Zhiyi is mainly achieved by using the limited knowledge perspective,that is,the blank is often set with a certain character in the novel as the narrative perspective,including the blank on the plot,the characters and the scene,which contribute to the interest and readability of the story of Liaochai,which greatly improved the artistic quality of classical Chinese novels.
作者
贾海增
JIA Hai-zeng(Humanities College of Hangzhou Normal University,Hangzhou 310000,China)
出处
《蒲松龄研究》
2020年第2期19-28,共10页
Study on Pu Songling
关键词
聊斋志异
叙述视角
留白
Liaochai Zhiyi
Narrative Perspective
Leaving Blank
