摘要
"中国故事"本土化与国际化叙事的两极分化表面上看是一种生存策略,实质上却暗含着中国电影文化主体性的悬浮。近年来,中国电影本土化崛起与"走出去"的态势异常明显。建构文化主体性,讲好"中国故事",在凸显民族异质性的独特空间中,寻找叙事的"张力场",在主体层、故事层、话语层和受众层中弥合"本土"与"非本土"的边界,成为中国电影的突围之策。以文化主体身份为叙事视角,以可延伸的故事时空为叙事内容,从文本的叙述和叙述的行为来探索跨文化的叙事方式,建立与超越"我者"与"他者"受众的对话关系,将成为"中国故事"本土化与国际化叙事的张力所在。
On the surface,the polarization between the localized and internationalized narrative of"Chinese story"is a survival strategy;but in essence,it implies the suspension of the cultural subjectivity of Chinese film.In recent years,the trend of the localization rise and "going out"is becoming very obvious for Chinese film.All the following have become the breakthrough strategy for Chinese film:constructing cultural subjectivity,telling"Chinese story"well,finding the"tension field"of narrative in the unique space of highlighting national heterogeneity,bridging the boundary between"nativity"and"non-nativity"at the levels of the subjectivity,story,discourse and audience.The tension between the localized and internationalized narrative of"Chinese story"lies in the narrative perspective of cultural subject identity,the narrative content of extensible story time and space,the cross-cultural narrative pattern from the text narrative and narrative behavior,and the construction of the dialogue relationship between"the self"and"the other"audience.
作者
张晶
李晓彩
Zhang Jing;Li Xiaocai(School of Humanities,Communication University of China,Beijing 100024,China;School of Humanities and Law,Hebei University of Engineering,Handan 0556001,China)
出处
《西北民族大学学报（哲学社会科学版）》
CSSCI
2020年第3期171-180,共10页
Journal of Northwest Minzu University(Philosophy and Social Sciences)
基金
中国传媒大学2018年度“双一流”建设支持科研项目“文学经典与影视艺术精品的创造机制”(项目编号:CUC18JC03)。
关键词
中国故事
中国电影
文化主体性
国际化
本土化
Chinese story
Chinese film
the cultural subjectivity
internationalization
localization
