摘要
台北故宫博物院所藏《文会图》轴,向来被视为宋徽宗名下的传世名迹。从该画作的款印、著录、器物造型、书画风格等几个方面综合判断,今本画作已是一幅基于原迹的后世摹本。尽管该画作出现了北宋以后的视觉元素,但因其保留了宋徽宗朝的基本风格特征,如画中人物冠帽、服饰属于徽宗朝类型,细究图像内容如桌具、饮食器、乐器、文房用具等器物多符合徽宗朝文物制度,表明《文会图》祖本出自于徽宗朝。通过画上徽宗风格的花押书写习惯来看,可进一步推断其祖本应成画于徽宗朝后期。
The painting Literary Gathering(Wen-hui T’u文会图)in the Palace Museum of Taipei has long been regarded as a masterpiece attributed to Emperor Huizong.Through comprehensive analysis from aspects of the painting seal(Qianyin钤印),recording of ancient documents,the shape of objects,calligraphy and painting style,this painting has been a later copy of the original work.Although the painting appears visual elements later than the Northern Song Dynasty,it retains the basic style characteristics of Huizong Period,indicating that the original work of Literary Gatheringis from Huizong Period.For example,people's hats and clothes belong to the type of Huizong Period.Furniture,eating utensils,musical instruments,and scholar wares mostly conform to the system of Huizong Period’s artifacts.According to Huizong’s writing habit of cipher,it can be further inferred that the original workof Literary Gathering should be painted in the later period of Huizong Period.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2020年第2期1-7,I0002,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
教育部哲学社会科学研究重大课题攻关项目“中国历代绘画大系编纂与研究”阶段性成果(项目批准号14JZD039,合同号14JZDH039)。
关键词
《文会图》
冠服
器物
徽宗朝
花押
宣和年间
Literary Gathering
Hats and clothes
Utensils
Huizong Period
Huizong’s cipher
Xuanhe(宣和,1119-1125)years
