摘要
李莉创作并上演的戏曲作品有50多部,她是当代戏曲剧作家成就最高和产量最丰且最具代表性和标志性的编剧之一。李莉的戏曲创作可分为三个阶段,第一阶段主要为所在剧团创作"吃饭戏";第二阶段开始大尺度地深入思考文化的困境;第三阶段因进一步涉入人性深处,达到新的高度。她擅长构筑尖锐的戏剧矛盾冲突,借此逼出非常情境中的独特人格。她的作品经常将主人公置于难以承受的残酷冲突之中,通过引入独特的极限美学和人伦惨剧表现道德绝境,令其做出超越寻常的抉择,叙事别具一格。但缺少留白,是她作品最明显的缺陷。
Li Li has written more than 50 operas,all of which have been staged,making her one of the most established,productive and representative playwrights of traditional Chinese opera in contemporary China.Her career has experienced three stages.In the first stage,she wrote mainly for regular performing of her own company.In the second stage,her writing showed a serious deep concern of cultural dilemma.Then she pushed herself to a new level by exploring the deepest human nature in the third stage.In these works,she highlights dramatic conflicts to reveal characters in special situations.The protagonists often find themselves in unbearably brutal conflicts and are forced to make extremely difficult choices.Moral dilemmas are created through the aesthetics of extremity and accounts of human tragedies,resulting in a highly idiosyncratic narrative.If we have to point out the weak points of her writing,it may need more room in aesthetics for audiences to think.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2020年第2期83-99,共17页
Drama:The Journal of the Central Academy of Drama
关键词
当代戏曲
李莉
吃饭戏
极限美学
contemporary opera
Li Li
scripts for regular performing
aesthetics of extremity
