摘要
左江花山岩画文化景观成功入选世界遗产名录后,依然有未解的千年之谜。经对左江花山岩画中铜鼓的族属、类型、传承发展、文化功能等进行多角度考证,确认左江花山岩画所绘铜鼓为骆越人所有,其类型为万家坝型、石寨山型和东山型早期铜鼓;岩画中的铜鼓不仅是部族首领权力的象征,还是通天礼神、汇聚人心、指挥军阵、人神共娱的重要礼器、响器及乐器;东汉马援缴骆越铜鼓后,左江流域骆越后裔仍有用鼓、尚鼓的习俗,这是对左江花山岩画铜鼓的一种继承与发展。与此同时,骆越人先进的青铜铸造技术亦为铜鼓在这一地区的传承与发展提供了物质基础。
After the Zuojiang Huashan Rock Painting Cultural Landscape was successfully included in the World Heritage List, there are still unsolved mysteries of the millennium.Multi-angle research on the ethnicity, type, inheritance and development, cultural function, etc. of the bronze drums in the Zuojiang Huashan rock paintings confirms that the bronze drums are owned by the Luoyue people, and their types are Wanjiaba, Shizhaishan and Dongshan early bronze drums. The bronze drums in the rock paintings is not only a symbol of the power of the tribal leaders but also an important ritual instrument, sounding instrument and musical instrument for ceremonial gods, gathering hearts, commanding military formations, and human and god entertainment. After Ma yuan of the Eastern Han Dynasty had collected Luoyue bronze drums, the descendants of Luoyue in the Zuojiang river area still continued the custom of the drums, which is an inheritance and development of the bronze drums in the rock paintings of Huashan in Zuojiang river, indicating that Luoyue people and their descendants are a drum-loving people. At the same time, the advanced bronze casting technology of Luoyue people in this region also provided a material basis for the inheritance and development of bronze drums in this area.
作者
万辅彬
樊道智
陈凤梅
Wan Fubin;Fan Daozhi;Chen Fengmei
出处
《广西民族研究》
CSSCI
北大核心
2020年第2期147-157,共11页
GUANGXI ETHNIC STUDIES
基金
国家社会科学基金重大项目“中国—东南亚铜鼓数字化记录与研究”(17ZDA163)。
关键词
左江花山岩画
铜鼓图像
族属
继承与发展
功能
Zuojiang Huashan rock painting
bronze drum image
ethnicity
inheritance and development
function
