摘要
清乾隆年间,苏州在设计、生产和销售高档漆器方面占据重要地位,具有工艺与技术上的明显优势。苏州工艺名家荟萃,技术领先,质量上乘,因而深得皇室的青睐和器重。乾隆年间,清宫御用雕漆、脱胎漆、填漆、描金漆器等高档品除部分为造办处下属各作所制之外,其余则差人赍样(漆器设计稿)至苏州,在苏州织造署的督管下成批制作、仿制或修补。作为御用高档漆器中心与"生产基地",从仿制明永乐"朱漆菊花瓣式"小件器设计到仿制元代流行的"荷叶式"造型设计等均集中体现出以乾隆帝为中心的奢华、富丽且"文雅"的宫廷工艺趣味观,及其在各类高档漆器的设计、制作或修复中的充分展现。
During the Qianlong period of the early Qing Dynasty, Suzhou occupied an important position in the design, production and sale of high-grade lacquerware, with technological and technological advantages. Suzhou craftsmanship, technology leadership, quality, so won the royal family’s favor and weight. During the reign of Qianlong, the Qing Dynasty Royal carving lacquer, bodiless lacquer, filling lacquer, gold lacquerware and other high-grade products were produced, imitated or repaired in batches under the supervision of the Suzhou Weaving Department, except for some of them made by the subordinates of the building office. As the center and production base of high-grade Royal lacquerware, from imitating Ming Yongle’s "Zhu Lacquer Chrysanthemum Petal" small ware design to imitating Yuan Dynasty’s popular "Lotus Leaf" shape design, it embodies the luxurious, rich and "the elegance" palace craft interest with Emperor Qianlong as the center, and in the design of carving lacquer, bodiless lacquer, filling lacquer, gold lacquer and colored lacquer and other high-grade lacquerware.
作者
李传文
Li Chuanwen(School of Art and Design,Fuzhou University of International Studies and Trade,Fuzhou,Fujian,China,350202)
出处
《艺术生活》
2019年第3期55-65,共11页
Art & Life
关键词
苏州
乾隆
雕漆
内廷恭造之式
文雅
Suzhou
Qianlong
Carving lacquer
the Strict mode of Imperial Court production
elegance
