摘要
20世纪初,包豪斯随着中国美术界视野与格局的拓展而传入中国,并引起了广泛反响。本文梳理包豪斯的设计实践与教育理念在20世纪初对中国现代设计产生的影响,从张光宇、庞薰琹、郑可等人的设计实践出发,观察西方以包豪斯为集大成的现代主义设计对处于萌芽期的中国现代设计产生的影响,尝试梳理包豪斯在中国所面临的设计风格与理念的接受与传播、设计经验的借鉴与实践、设计价值的认识与再创造的过程。
At the beginning of the 20 th century, Bauhaus was introduced to China with the expansion of the vision and pattern of the Chinese art, which causes widespread repercussions. This paper examines the impact of Bauhaus’ s design practices and educational concepts on modern Chinese design in the early 20 th century. From the perspective of the design practice of Zhang Guangyu, Pang Xunyi, Zheng Ke, etc., study the influence of the modernist design of the Bauhaus on the modern Chinese design in the bud. Examine the acceptance and dissemination of Bauhaus’ s design style and concept, the reference and practice of Bauhaus’ s design experience, the understanding of Bauhaus’ s design value and the process of recreation in China.
作者
张馥玫
Zhang Fumei(School of Art and design,Beijing Institute of Graphic Communication,Beijing,China,102600)
出处
《艺术生活》
2019年第3期14-19,共6页
Art & Life
基金
2018年北京市青年拔尖人才培育计划项目“全球化视野下的中国近现代设计机构研究”(项目号:CIT&TCD201804038)。
关键词
包豪斯
现代设计
设计革新
文化自觉
Bauhaus
modern design
design innovation
cultural consciousness
