摘要
晏几道有浓烈的歌词传播意识,其歌词传播以“自娱”和“叙怀”为目的,有效地择取了歌妓口头传唱与书册传播并重的歌词传播方式,拓宽了歌词传播的时空域界。这得益于其对一己歌词传播的有力操控,《小山词》在当世与后世皆影响非凡,且现今的《小山词》保存完好,讹阙较少,给研究者带来了诸多便利,不失为歌词自我传播的成功典范。
Yan Jidao had a strong sense of lyric communication.His lyric communication aimed at self-entertainment and pouring out his heart.He effectively selected the lyric communication method of paying equal attention to oral singing and book communication of geisha,and broadened the temporal and spatial boundary of lyric communication.Thanks to its powerful control over the transmission of lyrics,XiaoShanCi has an extraordinary influence on the world and the future generations.Besides,the present XiaoShanCi is well preserved with few errors,which brings a lot of convenience to the researchers.It can be regarded as a successful example of self-transmission of lyrics.
作者
梁丰
LIANG Feng(School of literature,FuJian Normal University, Fuzhou 350007,China)
出处
《东华理工大学学报（社会科学版）》
2020年第2期109-113,143,共6页
Journal of East China University of Technology(Social Science)
关键词
晏几道
歌词
自我传播
Yan Jidao
the lyrics
self-transmission
