摘要
时空结构考察是分析中国古代艺术结构之本体存在及其特征的重要方式。空间时间化(表征为节奏)与时间空间化(表征为境界)是中国古代艺术时空结构创造的两个重要方面。艺术意境作为一种时空交融的审美形态,是节奏与境界的有机统一,其时空结构的生成历经了自然时空、心理时空、审美时空等由外向内、由浅入深、由有限到无限的次第层深过程。就意境时空的本体结构而言,其节奏外化为体-势,境界内化为气-韵,势是气的形态特征,体是韵的形式载体。对"意境"时空本体结构形态的分析探讨,是认识中国古代艺术时空结构的重要途径。
The investigation of time-space structure is an important way to analyze the existence and characteristics of the ancient Chinese art structure. The temporalization of space(characterized by rhythm) and the spatialization of time(characterized by realm) are two important aspects of the creation of the space-time structure of ancient Chinese art. Poetic world, as an aesthetic form that blends time and space, is the organic unity of rhythm and realm. The generation of its space-time structure has experienced the second layer of natural space-time, psychological space-time, aesthetic space-time, from outside to inside, shallowness to deep, finite to infinite, which is a process of continuous deepening. As far as time and space in the ontological structure of the poetic world is concerned, its rhythm is externalized into body-potential, and realm is internalized into qi-rhyme. Potential is the morphological feature of qi, and body, the form carrier of rhyme. An analysis of the space-time structure of "artistic mood" is an important way to understand the space-time structure of ancient Chinese art.
作者
王诗雨
黄念然
WANG Shi-yu;HUANG Nian-ran(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,Hubei,China)
出处
《武汉理工大学学报（社会科学版）》
2020年第2期23-30,共8页
Journal of Wuhan University of Technology:Social Sciences Edition
基金
2015年度教育部人文社会科学重点研究基地重大项目“中国古代文艺结构思想研究”(15JJD750005)
华中师范大学2019年研究生教育创新资助项目“中国古代艺术时空结构研究”(2019CXZZ088)。
关键词
意境
艺术
时空结构
节奏
境界
poetic world
art
temporal and spatial structure
rhythm
realm
