摘要
以钢琴为研究对象,通过主观评价方法探究Straus组合拾音制式在不同间距下的拾音范围角度以及录音规律,结果表明该传声器组间距50 cm时,可以得到理想的钢琴音色,间距为20 cm也具有不错的实践应用价值。
Straus Paket is a stereophonic microphone technique that is used to record a small combos or a solo instrument.This article explores the recording range and recording rules by changing the spacing between two combined microphones of standard Straus Paket technique via subjective evaluation method.The consequence of this experience supports that it is when the distance between two combined microphones is 50cm that can get the best timbre of a piano.Plus,using 20 cm as the distance of Straus Paket also contributes to practice.
作者
高楠
王鑫
GAO Nan;WANG Xin(Soundking Group Co.Ltd.,Ningbo Zhejiang 315140,China;Communication Univercity of China,Beijing 100024,China)
出处
《演艺科技》
2020年第3期49-53,共5页
Entertainment Technology
关键词
斯特劳斯拾音制式
立体声拾音制式
传声器组间距
拾音范围角度
Straus Paket pickup system
stereophonic microphone technique
microphone group spacing
recording range
