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程抱一诗歌作品中体现的“物感”与“意义” 被引量:1

“Natural Sense” and “Meaning” Embodied in Fran?ois Cheng’s Poems
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摘要 法籍华裔作家程抱一先生创作的法语诗歌独具特色,创作理念上遵循中国传统的"物感说"审美理论,追求"天人合一"。创作风格上注重感官感知的重要性,强调感官的意义。创作语言上侧重"音、形、义"的结合,充分发挥语言的诗性功能。他的诗歌超越了"借物言志"、"借景抒情"的层面,超脱了主体和客体之间的对立羁绊,完全开放地融入自然,充满了他对整个世界的哲学思考,努力探寻着人类本身的生存意义。 The poetry of the French-Chinese poet Fran?ois Cheng is noted fro its distinctive characteristics.In terms of conception,it follows the traditional Chinese aesthetic theory of"natural sense"and pursues"the unity of man and nature".In terms of style it pays attention to the importance of sensory perception and emphasizes the significance of the sensory.In terms of language,it focuses on the combination of"sound,form and meaning",giving full play to the poetic function of language.His poetry transcends the dimensions of"conveying ethos by things"or"conveying pathos by scenery",overcomes the opposition between the Subject and the Object and merges with and into the nature,imbued with his philosophical probings of the world and of the meaning of human existence in it.
作者 蒯佳 Kuai Jia
出处 《法语国家与地区研究(中法文)》 2020年第2期79-86,93,共9页 Etudes Francophones
关键词 程抱一 物感 天人合一 哲思意义 主体间性 Francois Cheng natural sense unity of man and nature philosophic significance intersubjectivity
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