摘要
出土于江西德兴的元代鎏金錾刻人物花卉纹狮钮盖银瓶(缺盖)刻有四幅开光人物图饰,与出土瓷碗"杜甫游春"的图饰相仿,与同期"杜甫游春"题材诗词、戏曲、绘画互相印证,应为杜甫。其器物上的老杜图像与元代诗、词、曲共同建构出一个率性任真的"隐士杜甫",实是对杜甫形象的独特重构,反映了元人对于杜甫的认知与接受。这与元代文人普遍的隐逸情怀、元杂剧中杜甫形象的熏染、元人阐释杜诗的独特倾向有关。器物纹饰中的"隐士杜甫",作为杜甫文化接受与传播的生动缩影,可为杜甫形象研究提供新视角。
Four carved figureson the gilding silver bottle(without caps)unearthed in Dexing,Jiangxi province,were similar to the figure of the“Du Fu's Spring Outing”on the unearthed porcelain bowl.That figure,confirmed by poems,operas,and paintings on the theme of Du Fu's spring outing,should be Du Fu.Du's image on those utensils,together with shi poems,ci poems and qu of the Yuan Dynasty,constitute a candid hermit image of Du Fu,reflecting Yuan people'srecognition and acceptance of Du Fu.This is related to the general hermit inclination of the Yuan literati,the influence of Du Fu's image in the Yuan opera,and unique tendency to interpret Du's poems in the Yuan Dynasty.The“Hermit Du Fu”in the ornament of the utensils,as a vivid epitome of the reception and dissemination of Du Fu culture,can provide a new perspective for the research on Du Fu's image.
出处
《杜甫研究学刊》
2020年第1期34-42,共9页
Journal of Du fu Studies
关键词
杜甫形象
鎏金银瓶
元代
Du Fu’s image
gilding silver bottle
the Yuan Dynasty
