摘要
杜甫在五言排律中对酬赠对象的颂美之辞,渊源于诗歌史上的颂美传统,直接脱胎于初唐五排,并在章法结构与描写风格等方面推陈出新。从前期干谒到后期具有个人抒情性质的酬赠,杜甫五排中对酬赠对象的颂美方式发生了明显的转型,影响着他前后期诗歌不同的艺术风貌。
Du Fu's praises to reward objects in the five-characterregulated verse originates from historical praise tradition in poetry and directly from five-character regulated verse of the early Tang Dynasty.He innovated in constitution and description style.From the early self-recommendation to the late lyrical reward,the style of Du Fu's praises in his five-character regulated verse has undergone a significant transformation,with an impact on artistic style of his later poems.
出处
《杜甫研究学刊》
2020年第1期20-26,共7页
Journal of Du fu Studies
关键词
颂美
杜甫
五排
酬赠
praise
Du Fu
five-character regulated verse
reward
