摘要
汤显祖是明代著名的戏曲家,汤显祖的文学思想以“情”著称。汤显祖极力歌颂“真情”的同时对“恶情”给予鞭挞,《邯郸记》是汤显祖的最后一部作品,深刻地反应了汤显祖戏剧观中的“恶情”观。汤显祖批判了被现实和权力支配的“恶情”,照见了追名逐利的官场同时暴露了封建官场的腐朽黑暗。客观地说,《邯郸记》的艺术成就足以和《牡丹亭》媲美。
Tang Xianzu was a famous opera composer in Ming dynasty.Tang Xianzu's literary thought was known as"sentiment".Tang tried his best to extol the"true feelings"while chastising the"evil sentiment",and"Handan notes"was the last work of himself,which profoundly reflected the"evil sentiment"in Tang's view of drama.Tang criticized the evil sentiment dominated by reality and power,and revealed the pursuit of fame and wealth of officialdom at the same time exposed the dark decay of feudal officialdom.The artistic achievement of Handan notes is comparable to the Peony Pavilion objectively.
作者
李治甫
LI Zhi-fu(Qinghai Nationalities University,Xining Qinghai 10748,China)
出处
《齐齐哈尔师范高等专科学校学报》
2020年第1期46-48,共3页
Journal of Qiqihar Junior Teachers College
关键词
《邯郸记》
汤显祖
恶情
官场
Handan notes
Tang Xianzu
evil sentiment
officialdom
