摘要
元代已经进入不讲形式、不讲物理,只求以笔墨趣味来表达艺术家心绪的时期,此说在美术史上十分流行。笔墨在元代具备独立审美功能,几成史学公论,然而这种史学公论却是一种错误的观念。此种观念形成的原因包括:对元代画论画迹的误解,元画中笔墨新特点的形成及清代画家自己以笔墨为标准的选择性借鉴和再阐释倾向,清代理论的强大影响等。从美术思潮发展的角度看,元代绘画是对宋代绘画的继承和发展,这是一种对意境的创造与表现的文人画思潮,而且这股思潮一直持续到明代中期的吴门画派。笔墨思潮的崛起,已经是明代晚期的事情了。
The Yuan Dynasty has entered into the concept of no form,no physics,and it only sought to express the artist's mentality with pen and ink,which is very popular in the history of art.Pen and ink had an independent aesthetic function in the Yuan Dynasty,and it was becoming a historical public opinion gradually.However,this historical public opinion is a wrong concept.The reasons for this concept include misunderstanding of the painting theory of Yuan Dynasty;the formation of new features of pen and ink in Yuan painting,and the choice of Qing Dynasty painters themselves refer to the works in Yuan Dynasty as the style of their painting and reinterpretation tendency,the strong influence of Qing Dynasty theory,etc.From the perspective of the development of artistic ideological trends,Yuan Dynasty painting is an inheritance and development of paintings in the Song Dynasty.This is a literary trend of literary painting creation and expression of artistic conception,and this trend of thought continued to the Wumen Painting School in the middle of the Ming Dynasty.The rise of pen and ink thoughts is already a matter of the late Ming Dynasty.
出处
《艺术探索》
2020年第1期6-13,共8页
Arts Exploration
关键词
元画
笔墨
意境
Painting Works in Yuan Dynasty
Pen and Ink
Artistic Conception
