摘要
戏剧性是艺术学、美学研究的经典话题,也是叙事性艺术作品释放魅力的主要来源。传媒艺术的戏剧性可以从艺术和传媒两大维度进行界定。在新媒体普遍性崛起的媒介融合时代,艺术的戏剧性表达在艺术创作、传播、接受这个艺术活动全流程中,较之于传统艺术时代都发生了相当的变化,因此这个问题值得重新讨论,尤其应该放置在被新媒体化了的传媒艺术的视角下进行新论。传媒艺术的戏剧性释放,既可以给作品增色,也会因被滥用而影响了艺术作品乃至整个社会文化艺术生态的品级,需要趋利避害。
The main source of artistic force of narrative works,theatricality is a classic topic in the study of art and aesthetics.We can define the theatricality of media art from two dimensions:art and media.In the era of media convergence,the theatrical expression in the process of creation,dissemination and acceptance of art is different from that in the traditional media era,about which we should have new discussions from the perspective of media art that has already been mediated.The release of theatricality in media art can not only add charm to the work,but also be abused by creators,which will affect the general quality of the work or art and the entire artistic ecology of the society,so it is necessary to take advantage and avoid harm.
作者
刘俊(执笔)
胡智锋
陈旭光
唐锡光
LIU Jun;HU Zhifeng;CHEN Xuguang;TANG Xiguang(不详;School of Arts&Communication,Beijing Normal University,Beijing 100048,China;School of Arts Peking University,Beijing 100871,China;School of Journalism and Communication,Shangdong University,Jinan 250100,China)
出处
《学习与探索》
CSSCI
北大核心
2020年第3期118-124,175,共8页
Study & Exploration
基金
国家社会科学基金后期资助项目“传媒艺术刍论:基于特征的视角”(19FYSB011)。
关键词
现代文化
传媒艺术
戏剧性
媒介融合
Modern Culture
Media Art
Theatricality
Media Convergence
