摘要
现藏于南京博物院的一批无款写真头像《明人十二像册》,是中国写实画的一座高峰。对于这个像册的绘画风格,现当代学者多半都偏向认为是受到西方绘画的影响。但经与西方圣像画比较研究,像册仍属于中国本土的绘画传统,受到了宋代山水画和花鸟画高度写真精神的影响。
A group of portraits with no inscriptions in the "Collection of Twelve Portraits in the Ming Dynasty" in Nanjing Museum are supposed to be one of the peaks of Chinese realistic painting. With regard to the painting style of this collection, most modern and contemporary scholars prefer to think that it is influenced by the Western painting. However, compared with the Western holy image painting, the collection is believed to fall into the local painting tradition of China, and is influenced by the highly-realistic spirit of landscape painting and flower and bird painting in the Song Dynasty.
作者
黄乐乐
HUANG Le-le(Hangzhou Qingju Culture Media Co.,Ltd,Hangzhou 310000,China)
出处
《美育学刊》
2020年第2期116-120,共5页
Journal of Aesthetic Education
关键词
明人十二像册
西方绘画
高度写真
“Collection of Twelve Portraits in the Ming Dynasty”,Western painting
highly-realistic style
