摘要
基于声学研究中几个重要理论,分别介绍了20世纪50年代及以前、60年代和60年代以后三个不同时期音乐厅声学的理论发展和声学设计,并对音乐厅声学的发展现状进行了概述。
Based on the historical background of the emergence of several important theories in acoustics,the three periods of developments of theory and practice of concert hall acoustics in the 1950s and before,in the 1960s and after 1970 were briefly described,along with the research backgrounds of several important theories.The present status of concert hall acoustics was also summarized.
作者
陈小平
CHEN Xiao-ping(School of Music and Recording Arts,Communication Univercity of China,Beijing 100024,China)
出处
《演艺科技》
2019年第10期35-39,共5页
Entertainment Technology
关键词
音乐厅声学设计
混响时间
清晰度
脉冲响应积分法
主观听音评价
concert hall acoustics design
reverberation time
clarity
integrating the squared impulse respons
subjective listening
