摘要
在一个互联网支撑起来的新时代里,人类学遭遇了一种视频直播的民族志书写,它是一种信息传输由微信而及快手的文化转型人类学的新发展。这种视频直播的民族志书写,是基于一个大众刷屏时代视频文化的表达而得以成型。它可能预示着从之前微信民族志到快手民族志的方向性新转变,即由图文信息传输而到实时动态的影像信息的传播。这里也无形之中映射出了民族志作为表象的一种集合,是哲学家叔本华意义上"作为意志和表象的世界"的当下再现。因此,人类学有必要去重新认识一种"虚拟的真实"的存在。而这样的民族志书写的新发展,也无形之中预示着人的社会存在理想"在一起,不一样"的真实可能。
In a new age supported by internet,anthropology has encountered an ethnographical writing of the live streaming,which is seen as a new development of cultural transformation of information transferring from We Chat to Kuaishou.This kind of ethnographical writing is based on an expression and structuration of live streaming culture of the era of popular screen swiping.It predicts a new turn from WeChat ethnography to Kuaishou ethnography,which is meant transferring from graphic information transmission to real time and dynamic image information dissemination.It is a reflection of ethnography as a collection of representations,which is also meant in some sense a revival of Arthur Schopenhauer’s philosophy of The World as Will and Representation.Anthropology in this sense need to rediscover the existence of "virtual verity".And this kind of new development of ethnographic writing predicted in silent the possibility of social ideals of "being together but different".
出处
《中原文化研究》
2020年第2期58-66,73,共10页
The Central Plains Culture Research
基金
中国人民大学2019年度“中央高校建设世界一流大学(学科)和特色发展引导专项资金”支持.
关键词
视频直播
大众刷屏
民族志
文化转型
在一起
live streaming
popular screen swiping
ethnography
cultural transformation
being together
