摘要
《渡江》使用“革命知识”,展现历史发展趋势,尤其注意细节。另外,加入了很多“民间知识”,使叙述节奏分明,带有更强文学性。《渡江》的叙述重心在1949年解放南京前后,但有一个后设视角,不过并未展开。《渡江》将此前作品中较少出现的早期革命者形象推向台前,成为主要人物。张新科将主人公赵家祺的思想,置放于更为宏大的历史、文化背景。对人物内心的开掘,是“渐进”的,也是“深广”的。
The novel Crossing the Yangtze River adopts not only the"revolutionary knowledge"to show the historical development trend with detailed description,but also adds the"folk knowledge"to make the narrative more rhythmical and literary,focusing around the liberation of Nanjing in 1949.There is a post-setting perspective,but it did not unfold in the novel.Crossing the Yangtze River brings to the front the images of early revolutionaries rarely seen in previous works and makes them the main characters.Zhang Xinke placed the hero Zhao Jiaqi's thoughts on a more grand historical and cultural background with"progressive"and"profound"exploration of his heart.
作者
刘卫东
LIU Wei-dong(School of Literature,Tianjin Normal University,Tianjin 300387,China)
出处
《徐州工程学院学报（社会科学版）》
2020年第1期83-87,共5页
Journal of Xuzhou Institute of Technology：Social Sciences Edition
关键词
《渡江》
张新科
革命历史叙述
Crossing the Yangtze River
Zhang Xinke
Revolutionary Historical Narrative
