摘要
布莱希特的戏剧实现了从史诗到剧本的转换,在戏剧中采用再现话语与叙述话语并置的双重空间,实现了小说叙事的联想与想象;在现实与非现实的意义生成的二元空间里,揭露了外在荒诞下的社会本质;在理性与感性的双重置换下,践行了教育与娱乐共存的"间离效果"。布莱希特小说、戏剧与电影相勾连,形成史诗向戏剧的转化,并由此形成感性与理性,现实与荒诞的艺术特征。
Brecht’s dramas realize the transformation from the epic to the script, and realize the association and imagination of novel narration by using the double space of setting up reproductive discourse and narrative discourse. In the dualistic space of the generation of realistic and nonrealistic meanings, he reveals the social essence in the external absurdity;in the dual replacement of rationality and sensibility, he achieves the "separation effect" of education and entertainment coexistence. In his novels, Brecht links dramas and films are linked together, achieving the transformation from the epic to the drama, and thus showing the artistic characteristics of sensibility and rationality, reality and absurdity.
作者
赵慧娟
Zhao Huijuan(Faculty of arts,Fujian Normal University,Fuzhou 350007,China)
出处
《黑河学院学报》
2020年第1期174-177,共4页
Journal of Heihe University
