摘要
科幻电影作为天然带有技术基因的艺术样式,率先成为影像美学变革的试练场。赛博朋克电影作为科幻电影的分支,通过反乌托邦的颓丧城市影像、东方符号的征用,来建构奇幻的科技空间;通过赛博格身体的残缺性与等级性分别体现世俗之美和悲情宿命,蕴含了思忖人类身份主体性和社会批判的人文价值。
Science fiction films,as a natural art with technical genes,took the lead in becoming a trial field for the transformation of image aesthetics.As a branch of science fiction films,cyberpunk film uses dystopian urban images and oriental symbols to construct a fantasy space for science and technology.It reflects the beauty of the world and the destiny through the incompetence and hierarchy of cyborg’s body.Also,it contains the humanistic value about human identity and social critique.
出处
《传媒观察》
2020年第1期64-71,共8页
Media Observer
关键词
赛博朋克电影
空间
身体
美学
人文
cyberpunk films
space
body
aesthetics
humanities
