摘要
文章系统梳理了矶崎新近60年建筑生涯的代表性建筑画作品,发现其大胆、多变的建筑画风格背后,是自觉承担东西方建筑文化传播的时代责任;是勇于突破自我风格、引领时代、不断求新求变的可贵尝试;是骨子里对东方传统审美意趣不变的追求。揭示了在跨文化、跨地域的建筑创作中,建筑师不妨放下风格束缚,回归"此时此地",务实而高质地实现其职业理想。风格只是一种实现策略,而非设计的必须。
This paper systematically combs the representative architectural paintings of Arata Isozaki’s 60 years of architectural career.It is found that behind its bold and changeable architectural painting style is the constant pursuit of the traditional oriental aesthetic interest,and is a valuable attempt to break through the limitation of self-style and explore new fields.It reveals that the architect’s pursuit of value should transcend the restraint of style and design a suitable extraordinary building according to the time and place.Style can only be an implementation strategy,not the origin of design.
作者
吴征
蔡阳生
赵颖
Wu Zheng;Cai Yangsheng;Zhao Ying(Fujian University of Technology,Fuzhou 350118,China;School of Architecture,Tianjin University,Tianjin 300072,China)
关键词
矶崎新
普利兹克建筑奖
建筑画
草图
Arata Isozaki
the Pritzker architecture prize
drawing of architecture
sketch
